Sign Up For Email

Subscribe to our mailing list

Monday, January 28, 2013

Rapper's Music Theory

All the music theory a rapper needs to know in order to make good flows. What beats are, how to count them, what syncopation is, and so on.


The accompanying hand-out is below:



-->How to get a better sense of rhythm: Rap along to everything you hear while rapping beats.

Follow this increasingly difficult series of songs to become a better rapper:

1.     NWA – Express Yourself
2.     Eminem – Way I Am
3.     Kanye West – jesus Walks
4.     Hypnotize – Biggie
5.     Mos Def - Mathematics
6.     How We do – 50 cent/game
7.     Busta Rhymes - Holla
8.     Eminem – What’s the difference
9.      Outkast  – aquemini, 2nd verse
10. Kendrick Lamar – good kid, MAAD city song

Don't get discouraged! Try to make this song of Eminem recording, starting at 3:03, with the same man who raps, "Zoning off of one joint / stopping a limo, hopped in the window / shopping a demo at gunpoint." He is one of the unquestionable GOATs, but he had to start somewhere.

11 comments:

  1. Hey man this is a fucking AWESOME blog you got going on here, i've recently been interested in the art of rapping, and like everything i do i get some background info on it beforehand. I got here from rap genius: the rapper's flow encyclopedia trying find someone to explain to me what makes a rapper great, and the author of that article did a really good job and later directed its readers to YOUR blog, so i know you know your shit to say the least xD.
    But bro i really couldn't understand fully what you meant in point 2a in your handout about "creating phrases across the bar", and then point 2c about "repeating similar rhythmic figures" only made me more confused because you are mixing in a lot of music sheet talk that i don't understand.
    I'd appreciate it more than you know if you could make it clearer for me in some way, i mainly don't don't understand the difference between rhythmic phrases, rhythmic figures, and characteristic ideas mentioned in the other article that directed me here.

    ReplyDelete
    Replies
    1. Hey man, sorry for the delay in getting back to you. The word "phrase" roughly means "sentence." Just work with that for now. So when I say "create a phrase across the bar," I mean "write a sentence that starts before a bar line and ends after a bar line." A bar is a natural dead spot for a rhythm, because it's where the musical ideas start and end. Because of this, you want your rap to keep the musical flow going right over that rhythmic deadspot by keeping the rap action going in your sentence. To "repeat a similar rhythmic figure" just means to write a sentence/phrase (remember, they're the same thing here,) and then to repeat that sentence's rhythm. For instance, in 'How We Do" by Game & 50 Cent, Game raps this: "Fresh like, UH" "Impala, UH" "Chrome Hydraulics" "808 DRUMS", where each set of quote sets off its own sentence. The syncopated rhythm on each "UH" and "DRUMS" is the same rhythm, so that ties the whole verse again.

      Hopefully this helps man! Thanks for the support too, I always love hearing from my fans.

      -MEC

      Delete
  2. How'd you come with your top 10 list above?

    ReplyDelete
    Replies
    1. That's not a top 10 list, that's a list of increasingly difficult rap songs to rap along to in order to get your rhythmic sense down better. But my Top 10 is roughly, in no particular order, Nas, Eminem, Jean Grae, Andre 3000, Black Thought, Talib Kweli, Mos Def, and the others are subject to constant change, haha.

      Delete
  3. I played a couple instruments [poorly] in grade school and took class or two on music theory in college, so the basics are a bit below my level, but thanks for the rap advice I wanna see how my writing works in spoken meter.

    ReplyDelete
    Replies
    1. Yeah man! Go for it! Glad you watched it

      Delete
  4. Smooth yet unorthodox hard-hitting drums, moving patterns, memorable melodies, and carasmatic chord progressions gives you the right emotional energy and connection with my music to create that next big hit!
    http://www.jakemuzik.com

    ReplyDelete
  5. Hello,
    Your blog is awesome, major prop.
    I've been following you now for a little bit and I'm upgrading my home studio. I have a quick question about monitors. After tons of listening on different monitors I've decided to go with Yamaha HS8 monitors, but I was wondering how you felt about using the subwoofer (the HS8s). I record and produce in my room and its quite small. Do you think it's necessary to get the sub since its 8 inches? Also, how do you feel about speaker stands? And how far away should I place everything?
    Thanks.

    ReplyDelete
  6. Hey bro! I kinda dig your work on this site, as you explain some of the things that make certain emcees unique rhythmic masters in the genre - of course you aren't without faults though. I am a user on RG who breaks down and analyses flow as well from a different approach. I used be a musician, and applied what I soaked up from Theory, Appreciation and Composition.

    I was wondering maybe you could check out who I wrote about, and expand your taste in emcees? Because contrary to whatever ingrained biases you have, the emcees you mostly give praise too (Kendrick, Eminem, etc.) aren't the only ones who have their own unique styles of cadences.


    Anyways, despite my criticisms you do a great job, but it would be awesome to see new pages on emcees who you never really gave a chance or know about.

    http://genius.com/9056154/genius.com/discussions/170732-What-makes-a-flow-complex

    Would really appreciate your feedback as that annotation is divided into subsections mostly based on region, as well as some theory being explained.


    I want to definitely see some more thorough expansion on emcees who don't get remarked upon their creative flows, as Rap is often stuck on nostalgia and tradition.



    ReplyDelete
  7. Replies
    1. Yeah man! The order of the list isn't based on the simplicity/complexity of rhymes, or poetry, but on how often the rapper uses non-duplet rhythmic subdivisions (putting 5 syllables on 1 beat, for example.) For example, Mos Def only does it a few times, such as at 1:14 or 1:19. By the time we get to André 3000, though, he's putting 5 syllables, or something similar (7, 9, etc.,) pretty much on every beat.

      Thanks for writing man! Hit me up at mepc36@gmail if you wanna know more, like this kinda stuff:

      https://www.youtube.com/watch?v=ZBDsmJLvt4Q

      Peace man!

      -Martin

      Delete